"Particularly enjoyable are Thomas Heard and Deborah Klayman. In angelic singing voice one moment they
morph effectively into a couple of demons the next and their horrible Mr and Mrs Pugh is a poisonous pleasure."
Under Milk Wood, Pentameters Theatre. Reviewed in The Stage.
morph effectively into a couple of demons the next and their horrible Mr and Mrs Pugh is a poisonous pleasure."
Under Milk Wood, Pentameters Theatre. Reviewed in The Stage.
"Gloucester's eyes were put out, triumphantly, by Deborah Klayman's strong Regan."
King Lear, TNT Music Theatre/ADGE. Reviewed in the Chester Chronicle.
King Lear, TNT Music Theatre/ADGE. Reviewed in the Chester Chronicle.
*****
"Klayman sang with a remarkably powerful voice"
Lipstick On Your Collar, SG Productions. Reviewed in the News Shopper.
"Klayman sang with a remarkably powerful voice"
Lipstick On Your Collar, SG Productions. Reviewed in the News Shopper.
"Some of the men's parts are played by women, with appropriate edits: this is fine, because the women are so good. Special mention should be made of Deborah Klayman, who is a fierce Fluellen and a gentle lady-in-waiting."
Henry V, Wilde Theatre. Reviewed by Remote Goat.
Henry V, Wilde Theatre. Reviewed by Remote Goat.
"This presents a modern-day version where two women meet at the theatre.
In the musical interludes, Deborah Klayman and Jessica Martenson really can sing."
Eve & Lilith, Absolute Finnloch Theatre Company. Reviewed in The Scotsman.
In the musical interludes, Deborah Klayman and Jessica Martenson really can sing."
Eve & Lilith, Absolute Finnloch Theatre Company. Reviewed in The Scotsman.
"This King Lear is perhaps the most exciting and revealing current production of what
some consider to be Shakespeare’s greatest play."
King Lear, TNT Music Theatre/ADGE. Reviewed in Theatre World Magazine.
some consider to be Shakespeare’s greatest play."
King Lear, TNT Music Theatre/ADGE. Reviewed in Theatre World Magazine.